The melodic material for this work is modeled after sixteenth-century polyphonic writing techniques. (Starting with something interesting to of course end up messing with. Do more with less) It contains three different logic imitation instruments, a B3, Clav, and vintage rhodes. The work is developed by use of real-time editing within the ES1 and ES2 plugins, editing factors such as distortion, speed, intensity, and wave form. The level of editing increases as the piece moves on to build intensity, with the more intense changes being saved for the end/climax of the piece.